A. WAJDA’S CINEMATOGRAPH AND CHALLENGES OF TRANFORMATION OF CULTURAL MEMORY IN POLAND AFTER THE SECOND WORLD WAR
Abstract
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish school of cinema which appeared in the early 1950s. Our task is to attempt to trace the evolution of the director’s views on certain historical events and the historical path of Poland as well as more importantly the process of interlacing of personal memory and collective memory. The object of analysis in this paper are the films created by Wajda in the period from 1954 to 2007 and a number of memoirs.
About the Author
O. V. Larina
Minin Nizhny Novgorod Statе Pedagogical University
Russian Federation
Russian Federation
postgraduate student of the Department of Philosophy and Social Sciences,
Nizhni Novgorod
References
1. Wajda A. Kino I vse ostal’noe. [Cinema and everything else]. Moscow: Vagrius, 2005, 352 p. (In Russian)
2. Dzhej M., Khazina А.V., Nikolai F.V. Etika slepoty i postmodernistskoe «vozvyshennoe»: Levinas i Liotar [The ethics of blindness and the postmodern "sublime": Levinas and Lyotard]. Vestnik Mininskogo universiteta. 2015, no. 1 (9), p. 2. (In Russian)
3. Eliseev T.N. Rezhissery pol’skogo kino [Directors of Polish cinema]. Moscow: Mainland Publ., 2007, 126 p. (In Russian)
4. Lotman Y.M., Tsivyan J.L. Dialog s ekranom [Dialogue with screen]. Tallinn: Alexander, 1994, 215 p. (In Russian)
5. Michalek B. Zametki o pol’skom kino [Notes about the Polish cinema]. Moscow: Art, 1964, 301 p. (In Russian)
6. Tressider J. Slovar’ simvolov [Dictionary of symbols]. Moscow: Fair-Press Publ., 1999, 179 p. (In Russian)
7. Tymovsky M., Kenevich J., Holzer E. Istoria Pol’shi [History of Poland]. Moscow: All the World Publ., 2004. 544 p. (In Russian)
Review
Views:
575
Email this article 