GERMAN CINEMA OF THE 1920TH IN RUSSIAN AND FOREIGN SCIENCE OF THE XXTH CENTURY: TRADITIONAL AND NEW APPROACHES
Abstract
About the Author
M. E. ZolnikovRussian Federation
postgraduate student, Chair of humanitarian disciplines,
Saratov
References
1. Dzhej M., Khazina А.V., Nikolai F.V. Etika slepoty i postmodernistskoe «vozvyshennoe»: Levinas i Liotar [The ethics of blindness and the postmodern "sublime": Levinas and Lyotard]. Vestnik Mininskogo universiteta, 2015, no. 1 (9), p. 2. (In Russian)
2. Komm D. Formuly straha. Vvedenie v istoriju i teoriju fil'ma uzhasov [Formula of fear. Introduction to history and theory of film of horrors]. St. Peterburg, BHV-Petersburg Publ, 2012. 224 p. (In Russian)
3. Lotman J. Semiotika kino i problemy kinojestetiki [Semiotics of the cinema and problem of cinemaaesthetics]. Thallin, 1973. 138 p. (In Russian)
4. Sadul' Zh. Vseobshhaja istorija kino [Universal history of the cinema]. Moscow, Foreign Literature Publishing House, 1957. Т. 4 - Ch. 1. 465 p. (In Russian)
5. Teplic E. Istorija kinoiskusstva: Tom 1 (1895-1927) [History of cinematographic art: T. 1 (1895-1927)]. Moscow, Progress Publ., 1968. 329 p. (In Russian)
6. Deleuze G. L'image-temps. Cinéma 2. - Paris: Les éditions de Minuit (coll. « Critique »), 1985. 378 p.
7. Deleuze G. L'image-mouvement. Cinéma 1. Paris: Les éditions de Minuit (coll. « Critique »), 1983. 298 p.
8. Eisner L. Dämonische Leinwand: Die Blütezeit des deutschen Films. Biebrich: Der neue Film, 1955. 173 p.
9. Eisner L. Fritz Lang. London: Secker & Warburg, 1976. 416 p.
10. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear / Ed. by Michael Minden. NY: Camden House, 2002. 344 p.
11. Kracauer S. From Caligari to Hitler. A Psychological History of the German Film. Princeton, 1947. 432 p.
12. McGilligan P. Fritz Lang: The Nature of the Beast. London: St. Martin's Press, 1997. 548 p.
13. Metz Ch. Film Language. A Semiotics of the Cinema. Chicago: University Of Chicago Press, 1990. 328 p.
14. Myman F. The "nature" of the female cyborg: Evidence of will in the mechanical woman. Available at: http://www.francesca.net/Metropolis.html (accessed 28.03.2016): 08.05.2015) .
15. Romero M.D. Woman's Death and Patriarchal Closure in Fritz Lang's The Big Heart // Gender, I-Deology: Essays on Theory, Fiction and Film. Amsterdam, 1996. Pp. 333-344.
16. Sadoul G. Histoire générale du cinéma. Tome 1. L'invention du cinema. Paris: Denoël, 1946. 615 p.